Friday lunchtime, I'm bored and I have no currency to use in trade at the local hostelry. Therefore, I decided to let my mild apsergers reign supreme for a moment, and tell you my favourite 50 albums of all time!! Woo - Yeah!! So, in no particular order (of course), here's part 1 of a semi regular feature....
1. Kate Bush - The Kick Inside I spent my formative years in the late seventies looking over the sleeve to this album, fixated, but not sure why. Of course, 10 years later and the onset of puberty a

nd it became totally apparent why, but that's a different story all together. Just remember that in those days album covers were 12 inches wide and quite detailed. I'm told that I had 3 imaginary friends at that stage of my life; Butterfly, Bear and kate Bush. Gods knows what we used to get upto, but that's by the by. What of the music? Well - its her first and for me her best album. 2 or 3 albums later and she's messing around with a Fairlight CMI and making allsorts of wonderful noises - oddly, this makes her later efforts more likely candidates for my affections, but no. This is the one, its haunting, mournful, sad and genuinely moving - just Kate, a piano and the guy from Pink Floyd. Did you know she wrote Wuthering Heights at 13...?
2. Future Sound of London - LifeformsI have Rich to thank for introducing me to Future Sound of London, which makes up for the attempted bumrape at 19. I could've gone to the po

lice, it was my debt to him in the shape of this album and his assurances that it wouldn't happen again as he'd
'seen the goods now and had gone off the idea', which stopped me. In fairness to him, it hasn't happened again, but then to the best of my knowledgege, no one has a cock that reaches across the Atlantic. This album is genius, surely one of the most important electronic albums of all time? Even now I don't think there's anything that sounds like it. Not a note or sound is predictable, its full of sparkling imagination, amazing rhythm's and tunes. Fantastic.
3. Black Dog - SpannersProbably mild

ly better than Bytes, its predessor - again there's nowt like it. The 90's really were a good time for electronica. They lost it when they split up and became Plaid if you ask me. Here, the beats were so different to anything that was happening elsewhere. Other folks were churning out 4 to the floor 'bum'tish' beats and that same old James Brown loop sped up. These guys were doing polyrythms, phasing in and out of each other in a middle eastern kinda way. Over the top of this they put mystical melodies, non western pipes, unnknown foreign string instruments and discordantant vocal mashups. It sounds like something discovered at the bottom of Cheops pyramid. This album has stood the test of time, because it sounds like nothing else on earth.
4. Radiohead - Kid A
Received wisdom will have it that OK Computer or The Bends is Radiohead's best album. The musical press will have it that this was Radiohead making an Autechre album. Just goes to show what cretins the journo's at NME are really, not that I needed to be reminded. All this proves is that they have never heard an Autechre album and wouldn't know the next big thing unless it sounded lime the last big thing, 30 years ago. Fools.
5. Ry Cooder - Paris TexasSoundt

rack to the film of the same name. Slide guitar, in that same mournful riff over and over, beautiful and reminiscent of a part of the world I have never visited. Full of the sadness of love gone wrong. Brilliant. This is one of those soundtracks that defines a film, like the iconic music of Jaws, The Exorcist or Close Encounters.
6 & 7. Tangerine Dream - Phaedre & RubyconI've lumped these two together, because in my mind they will always be linked, and to be honest, they do share a huge amount in common. Both of these albums have a huge personal meaning to me. Dad had both of these on vinyl, in the days before he owned a 'music centre', with cassette and radio. They are the records, along with Jean Michelle Jarre's Oxygene and Hawkwind which got me into 'electronic music' and ambient - they're both bleak and lush at the same time, awash with phased synths and those rhythmical, repeticious bass lines. TD famously had sequencers invented for them so they could write these albums, that's another 'thanks' to them (but we digress). For years after, as I entered early adulthood and started buying music for myself, Dad could be heard to utter the now immortal and entirely derogatory phrase
'so
unds like Tangerine Dream'. He meant it was a rip off. Tragedy was, he wasn't entirely wrong, except tracks like The Orb's A Huge Ever Growing Brain that Rules from the Centre of the Ultraworld or Global Communication's 9.25 were paying homage, not ripping off. Just as we entered the early 90's and 'ambient' (a wonderful genre definition not invented until 20 years in retrospect) made a come back, we all realised that these albums hadn't aged at all. These 2 albums were the soundtrack to my childhood and have remained with me ever since, driving me to try and recreate that sense of being on a different planet or dream realm in my own music and seek it out in others work. For all I know, it contributed to my love of surrealist art and mood film too. Who knows. Listen to them now and tell me they sound like they came from the 70's. You'd be hard pushed.